8/17/2023 0 Comments Submarine 2010 cast![]() Jordana is a very secretive character which is what draws Oliver towards her. The next is her red heart shaped sun glasses. The most striking thing about her visual appearance is her striking red coat, which she appears to always be wearing. Red is mainly linked to the character of Jordana, Oliver’s love interest. The film follows 15 year old Oliver Tate through his relationship with first girlfriend Jordana, and his complicated relationship with his parents. It cast list includes Craig Roberts as Oliver Tate, Yasmin Paige as Jordana Bevan, Sally Hawkins as Jill Tate, Noah Taylor as Lloyd Tate, and Paddy Considine as Graham Purvis. Submarine is a coming of age romantic comedy based on the novel Submarine by Joe Dunthorne. This is exactly what Richard Ayoade (Director) and Erik Wilson (Cinematographer) have done in Ayoade’s debut film, Submarine. Directors and Cinematographers often use this to the For example light red is associated with passion, love, and sexuality whereas dark red is associated with anger, wrath, and rage. However different shades of red can often arouse different emotions within us and therefore have different connotations. Collectively we associate red with intense human emotions such as love and anger, which are perhaps two of the most powerful. It has many different meanings and allows people to feel a variety of emotions depending on the context in which it’s used -hence why it’s my favourite colour. It’s those same mysteries on dull, everyday dry land with which ‘Submarine’ has so much fun.Firstly, let’s discuss the connotations of the colour red. We’re told that Oliver’s dad, an expert in fish, once had an Open University TV show called ‘Mysteries of the Deep’. ‘Submarine’ is total first-person cinema and Ayoade runs with it to stress that other people are both intriguing and unknowable. Maybe that’s why Paddy Considine’s exaggerated turn as Oliver’s loony neighbour, a spiritual life coach, feels exuberant and out of place. Nothing stays still for long and actors are often seen in silence. There are jump cuts, flashes back and forwards, imaginary episodes and chapter headings. It’s a fast-moving film and very much a director’s piece. Even the colour and type of the opening credits scream ‘Godard!’. The shadow of 1960s French cinema falls most heavily over the film. It’s a winning combination which sees sparks of imagination flying from most scenes. The storytelling style which Ayoade lunges for with uncynical reverence and a cinephile’s passion (and maybe a little over randily at times – how many times can you evoke the final shot on the beach in ‘The 400 Blows’?) is a holy trinity of the French new wave, mannered American indies of the late ’90s and superior British domestic comedy. He talks of zooms and crane shots and when a bullied peer falls into a pond he observes the horror in freeze frame and commentates on the action. A neurotic and smart boy, Oliver over-imagines his death as a series of flash-forwards of fellow pupils mourning his passing. We hear Oliver in voiceover perhaps more than we hear him in the flesh and it’s these thoughts which inspire Ayoade’s direction. The meat of the film – and its bittersweet, beating heart – is an awkward romance between Oliver and Jordana (Yasmin Paige), a guarded, knowing girl with a biting wit who wears a ‘Don’t Look Now’ red duffle coat, carries a similar dodgy fringe and whose own family problems are revealed as gradually as she gives herself over to Oliver. This unhappy, stiff-backed couple haven’t had sex for seven months, Oliver tells us, and he only knows this because the dimmer switch in their bedroom hasn’t been set to a telling, in-the-mood level for just that long. ![]() This is the story of Oliver Tate (Craig Roberts), a schoolboy whose life is a movie in his head, which explains why his parents, played brilliantly by Noah Taylor and Sally Hawkins, are such impenetrable but telling caricatures, weighed down by the hang-ups and deficiencies Oliver affords them. Ayoade’s background is in telly, but his film is proudly cinematic – so much so that its big-screen influences are almost its defining characteristics.Īdapted from Joe Dunthorne’s 2008 novel, ‘Submarine’ is a retro coming-of-age tale about a teenage boy shell-shocked by everyday life in 1980s Wales. ![]() This is a spirited and warm film debut from TV comic Richard Ayoade, best known as an actor on ‘The IT Crowd’ and a little less as a one-time writer and director of ‘Garth Marenghi’s Darkplace’ for Channel 4 – as well as a maker of music videos for the likes of the Arctic Monkeys.
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